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Jennen

Jennen

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Posted by on in SMA Musician Profiles

1. What led you to play the violin?

I began learning the piano at the age of two. My older brother learnt to play so I was somewhat expected to follow in his footsteps. There came a point however that my mum decided that it would be a good experience for me to play music in a social environment, as the piano can be a solitary instrument. She thought she’d let me have a go at playing violin. Over the course of the next few years my focus shifted from piano to violin as I became more involved in playing in ensembles.

2. Tell us about your current career as a violinist

I'm a 24-year-old violinist from Adelaide, now living in Sydney, working with Opera Australia and String Musicians Australia. For the last two years with Opera Australia, I’ve performed some of the most challenging operatic works, including La Boheme, La Traviata, King Roger and contemporary works including Two Weddings One Bride.

As a representative of String Musicians Australia since 2011, I have performed for numerous weddings and corporate functions in Sydney, Melbourne, Adelaide and Hobart, alongside Australia’s leading musicians. String Musicians Australia is renowned for employing high-class musicians from around the country.

Whilst I have performed mostly in string quartets with String Musicians Australia, performing with Opera Australia has given me a completely different performance experience. It has taught me that being part of a large-scale successful performance is a lot more than just coherence between the musicians, conductors and singers. It requires an immense variety of behind-the-scenes contributors that are paramount to the overall production.

In addition to this, I have been recently introduced to Sydney-based music producer and ‘Flow-Fi’ label Co-Founder ‘Aywy’. Through this collaborative friendship I have begun to find ways to use my skills to create my own music. I am learning about how others hear and create music, what fuels their inspiration and learning about the multifaceted industry. I have been inspired to work harder, smarter and with as many people as I can.

3. What are some of your favourite performance venues in Sydney?

I’ve performed at many venues in Sydney, including the Concert Hall, the Joan Sutherland Theatre, the Playhouse at the Sydney Opera House and the Sydney Town Hall. However, my favourite venue to perform at is Angel Place, City Recital Hall. The design of the amphitheatre and the acoustics make a unique and intimate performance experience everytime.

4. What size group do you prefer to play in and why?

I have no preference for the size of group I play in as each has it’s own pros and cons. My desire, in all the groups that I perform in, is to find that sense of satisfaction from contributing to something I love; something that will always be bigger than oneself.

5. What do you like most about performing for String Musicians Australia.

I studied with many of the musicians who represent String Musicians Australia, including the founder Jennen Ngiau-Keng. Aside from having a camaraderie built upon mutual experiences, the opportunity to perform with colleagues whom I still admire is very rewarding. There are a lot of talented musicians in Australia, but I like the fact that Jennen not only employs excellent musicians, but also ensures the musicians are reliable, positive and energetic.

 

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For most wedding ceremonies the key moments where a song choice is necessary are:

  • While guests arrive
  • During the processional (entrance of the bridal party and bride)
  • During the signing of the register
  • During the recessional (at the conclusion of the wedding ceremony)

While the guests arrive:

Although our clients can select any genre of music to be performed, we generally recommend allowing the quartet to perform classical music before the wedding ceremony commences.

The celebrant will inform the quartet when the bridal party arrives. The string quartet will stop playing and prepare for the processional. Once given the signal from the celebrant, the quartet will begin performing the requested processional song. The most popular song for processionals is ‘Pachelbel Canon’ or ‘Canon in D by Pachelbel’. Other favourites include The Verve ‘Bittersweet Symphony’, Bach-Gounod ‘Ave Maria’ and Bach ‘Air’ from Suite No.3.

During the processional:

Brides do not need to worry about timing when it comes to the processional song. We will time our music to our lovely brides and bridal parties. For example, if the bride takes a little longer than expected, we will simply loop our music. Once the bride has completed her walk down the aisle and is comfortable in position, our string quartet will phrase off our music. There will never be any sudden end to our music.

At this point, our clients have the option to allow us to continue performing soft, slow, background music during the entire ceremony. There is no extra cost for this. It is lovely effect, but it is also vital that the celebrant is using a microphone if opting for this. It is also important that the bride and groom are amplified when delivering their vows. Otherwise, the string quartet can be silent during the vows and the entire ceremony process.

During the signing of the register:

When it’s time to sign the register, the string quartet will perform again. Since the signing of the register takes approximately 10 minutes, the client can select two songs for the string quartet to perform during this time. Again, there is no need to wait until the string quartet is finished before concluding the signing of the register. When the celebrant indicates that the signing has been complete, the string quartet will phrase off beautifully.

During the recessional:

At this point, the celebrant usually concludes the ceremony by welcoming the new couple as husband and wife. The string quartet then performs the requested recessional song for the couple’s exit.

At the conclusion:

Once the ceremony has concluded, the string quartet will continue to perform background music as guests mingle and exit. It is therefore recommended to hire our string quartet for an extra 5-10 minutes so that guests can enjoy the music after the wedding ceremony.

If photos are being taken afterwards, it is also lovely to have the string quartet continue to perform. The string quartet will perform more popular songs after the ceremony if requested by our clients.

It is then an option to book the string quartet for the wedding reception as well.

​A string quartet comprises of four instruments. These are two violins, a viola and a cello. The two most important parts of a string quartet are the top solo line and the accompanying bass, which are the 1st violin and cello parts. The two inner parts that allow for greater harmonies, are the 2nd violin and viola parts. We always recommend hiring a complete string quartet, as it allows for the fullest and richest harmonies. Most songs are written for a full string quartet, which means that trios and duos will be reductions, and as a result, will be missing harmonies and some moving parts. 
 
All our recordings on our website are of our string quartet. For those who are more budget conscious, we offer trio and duo options. A string duo consists of two instruments - a violin and a cello, whilst a string trio consists of three instruments - two violins and a cello. The range of music that a duo can perform is limited, so a violin and cello duo would be best for short bookings and only specific classical music songs would work as a duo. We'd recommend hiring a string duo for no longer than a 1 hour booking. A string trio is a better option to the duo, as it includes the 2nd violin part, which allows for an extra harmonic layer. 
 
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Violins are the smallest out of the three instruments, and as a result, the sound produced is the highest pitch. Violins are played on the shoulder, with strings G, D, A and E. The viola is also played on the shoulder, but it is larger. As a result, the sound is lower pitched than the violin, with strings C, G, D and A. On the violin, the G is the lowest string, and on the viola, the C is the lowest string. The strings that are shared on the violin and viola are G, D and A. They are the same pitch on the viola and violin. While the viola has an extra C string on the bottom for lower notes, the violin has an extra E string on the top, allowing for higher notes. The cellos is the largest of the three fore-mentioned instruments, and is held between the cellist's legs. The strings on the cello are the same as the viola (C, G, D and A) but because of the longer length of the strings and larger area inside the instrument for resonance, it is pitched an octave lower.
 
Though a string quartet consists of two violins, a viola and cello, there is another instruments which can be added to make a string quintet. This is the double bass. The double bass is much larger than the cello, and so the double bassist often either stands or sits on a high stool to play the instrument. The double bass has the same strings as the violin, but in the opposite order (instead of G, D, A, E going upwards in pitch, they are E, A, D, G). As a result, the strings on the double bass are a 4th interval apartment, rather than a 5th apart, as is on the violin, viola and cello. 
 
We usually perform acoustically as a string quartet, string trio or string duo, however many of our clients have organised amplification to allow our sound to travel further. This can simply be done with microphones on stands setup near our instruments. Alternatively, we can also increase the size of the string band by having extra musicians per part. For example, hiring eight musicians would allow two musicians per part. That would comprise of 2 x 1st violins, 2 x 2nd violins, 2 x violas and 2 x cellos. This will add much more sound and a more impressive look. It effectively changes the small ensemble to become a small orchestra. 
 
 

Posted by on in SMA Musician Profiles

Coffee bean are certainly not definitely coffee beans however the seed products of the cherry such as fruit which is that is generated by the its heyday plant typically termed as any espresso tree. You will discover a couple key varietals of coffee woods, Arabica and Robusta, a lot of the specialised quality capuccinos available these days tend to be via trees and shrubs from Arabica family members. Coffee trees and shrubs grow inside the equatorial area throughout the planet and the best espressos are generally produced from nations which have rich volcanic garden soil and also higher elevations. Fresh unroasted coffee bean can be eco-friendly to yellow throughout coloration as well as frequently called environment friendly coffees. The particular coffee cooking method is usually what exactly brings about your wealthy darkish colors that the majority of men and women keep company with caffeine. Green coffees usually are space firm if stored adequately last half a year to one season. 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While these are generally not hard details, generally speaking capuccinos from your different generating areas have these kinds of features; The actual Americas United states capuccinos are usually grown all across the mountainous spinal regarding Latina The united states, from southern South america southerly as a result of Core America, Colombia along with Bolivia to be able to Peru, together with in the highlands in the larger island destinations of the Caribbean and within the large plateaus associated with Brazilian. From their utmost, the particular vintage capuccinos of Latin-American express shiny, vibrant acidity along with a thoroughly clean, straightforward mug. They feature precisely what for any United states is often a usual very good caffeine knowledge. In this really wide class of capuccinos, even so, there are lots of variations with pot and also identity. 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The capuccinos connected with Brazil offer a various entire world associated with encounter determined by a significantly larger number of processing strategies, from dry-processing, which often produces your traditional Brazilian Santos glass, low-toned, spicily intricate along with wealthy, to help semi-dry or pulped normal control, which promotes any softly intricate, softly fruity pot, to traditional wet-processing, which usually produces a new cleanly understated, pleasingly low-acid glass just like the a single which is available from your quality cheaper expanded capuccinos associated with Central The united states. greenbeancoffee.net green coffee Cameras as well as Arabic A lot of the world’s many exclusive capuccinos are generally expanded in Distance The african continent coupled a good north-south axis that starts with the southeast hint with the Arabian Peninsula with Yemen and ends within Zimbabwe within the southern area of Photography equipment, in the process encompassing the actual highlands involving Ethiopia, Kenya, Tanzania, Zambia, and lots of a lesser amount of notable beginnings. These generally impressive coffees tend to be characterized by a number of striking flowery along with berry notices, through the virtually perfume-like flower and citrus fruit personality connected with Ethiopia wet-processed espressos throughout the greatly acidy as well as berry-toned Kenyans for the soft in addition to voluptuously fruity Zambians. This category of coffees consists of a couple of in the world’s most well-known and many traditional roots: the Harrar capuccinos associated with north-eastern Ethiopia as well as the espressos of Yemen, simply just through the Reddish colored Ocean from Ethiopia. Even though capuccinos are picked and created for you to dry out in rooftops, fruit in addition to almost all, considerably when they were being any time coffee primary emerged on the globe stage in the seventeenth century. Each present different versions over a untamed, intricate, a little fermented fruitiness many coffee buffs find because provocative right now because 1st java lovers of European union performed. Of india along with the Off-shore The particular best-known and a lot distinctive Ocean java origins are generally grown within the Malay Island chain, in which cycle connected with often substantial destinations that make up the particular places connected with Philippines, Timor and Papua Brand-new Guinea. These capuccinos add some deep-toned typically prepared capuccinos of Sumatra, Sulawesi as well as Timor, because of their complex berry, soil, and musty records. In comparison, wet-processed espressos connected with Sumatra, Java, in addition to Papua Completely new Guinea are usually bright in addition to flowery and could range from fine for you to (in the situation involving many Papua Fresh Guineas) extremely along with fragrantly acidy. Arabica coffees from Asia are typically nice, flower as well as lacking in chemical p. Asia can also be the source in the world’s ideal coffees of the Robusta variety, this wet-processed Parchment in addition to Kaapi Royale Robusta, and also the unique Monsooned Malabar, some sort of dry-processed gourmet coffee that is come across moisture-laden monsoon wind gusts for many days, that unique procedure mutes acidity, deepens physique, as well as contributes a new malty mustiness. Traditional coffee will be yet another subject even now. The particular celebrated espressos associated with Kona look like the optimum Key The united states capuccinos, with a characteristically clean, translucent cup that can range between incredibly acidic as well as shiny to help tender and also fragile. The espressos from the tropical isle regarding Kauai tend to be around, well balanced, and lacking in acid due to small increasing altitudes. Your area involving Molokai yields a pair of unique coffees, any wet-processed Malulani Est exceptional because of its hot pipe-tobacco tones, and also the dry-processed Molokai Muleskinner, a rather abrasive, capricious gourmet coffee of which generally exhibits gentle musty and fruit ferment notices.

SMA Musician Profile - Cameron Jamieson

 

SMA MUSICIAN PROFILE - Cameron Jamieson

I started working for String Musicians Australia in Brisbane about 5 years ago. I’m really enjoying working with such a great team of players and I’m happy to be a regular with the company as this is the kind of work that really gets me going. I also love recording sessions for TV and playing with the MSO.

I’m originally from Brisbane but moved to Melbourne in 2012 and have really fallen in love with the city. That said, there’s certainly a part of me that stays in Brisbane and I love to go back to Queensland for some of Summer to see family and spend some time at the beach.

I’d have to say I associate travel with music strongly because it's taken me around the country and across the world. I’ve been fortunate enough to have some great teachers and mentors over the years but can’t deny how great it is being your own boss and working out the best way to play for me and my style.

After 20 years playing the violin I’d say we’ve gotten to know each other quite well. This particular instrument, Charlotte, has been very cooperative over the last 5 years and has taken me through some pretty full on experiences

What a lot of people in the classical world don't know about me is that “by night” I write and produce electronic and acoustic music in various forms under the name ‘seejay’. Just yesterday I was laying down 22 violin and vocal tracks for a pretty strange film-score/pop rock fusion track. Not sure if that’ll see the light of day but it’s a lot of fun working with various real-life and digital elements in the studio. I’d say I don't have a specific style to stick to but certainly a recognizable sound. Those minor 7th chords, they’re everywhere, I can’t escape it. It’s almost embarrassing! I turn over a new album about once or twice a year which gives me goals and publishes the latest tricks I’ve learnt.

http://seejay.bandcamp.com/
http://www.soundcloud.com/seejay

When I’m working, I’m usually grinning or laughing because I get a real kick out of performing with good people and there’s something particularly fun about the event string quartet business.

Cameron Jamieson, December 1st 2014

Stay tuned for more updates on Cameron and check out his fantastic work.

 

Posted by on in Events

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String Musicians Australia musicians Jennen Ngiau-Keng, Yuhki Mayne, Nelson Yarwood and Anna Pokorny provided chamber music for guests as they waited to be seated for lunch. The Orchid Room, a beautiful follow on from Red Spice next door, provided a wonderful atmosphere for us to play excellent music for Damien and his guests.

Thank you to Damien Grace for having us again, we look forward to next time!

 

String Musicians Australia. 

 

 

 

Posted by on in Events

 

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Welcome to the String Musicians Australia Backstage Blog

With musicians all across Australia, come backstage and meet the musicians that make us who we are. 

You'll find the latest updates on where we are and what we are doing as well as interviews, v-blogs and much more. 

Stay tuned for updates!

 

Posted by on in Events

Blog Coming Soon!

Posted by on in Events

String Musicians Blog Coming Soon

 

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